Don O'Connor Biography, Age, Height, Wife, Net Worth, Family

Age, Biography and Wiki

Don O'Connor (Donald David Dixon Ronald O'Connor) was born on 28 August, 1925 in Chicago, Illinois, United States, is an American actor, dancer and singer. Discover Don O'Connor's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 78 years old?

We recommend you to check the complete list of Famous People born on 28 August. He is a member of famous with the age 78 years old group.

Don O'Connor Height, Weight & Measurements

At 78 years old, Don O'Connor height is 170 cm .

Who Is Don O'Connor's Wife?

His wife is Gwen Carter (m. 1944-1954) Gloria Noble (m. 1956)

Don O'Connor Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Don O'Connor worth at the age of 78 years old? Don O'Connor’s income source is mostly from being a successful . He is from United States. We have estimated Don O'Connor's net worth , money, salary, income, and assets.

Don O'Connor Social Network

Timeline

O'Connor's last feature film was the Jack Lemmon-Walter Matthau comedy Out to Sea, in which he played a dance host on a cruise ship. O'Connor was still making public appearances well into 2003. He said he went on the road "about 32 weeks a year. I do my concert work and I do night clubs and that kind of stuff. So I don't dance much any more, but I do enough to show people I can still move my legs."

O'Connor had undergone quadruple heart bypass surgery in 1990, and he nearly died from pleuralpneumonia in January 1999. He died from complications of heart failure on September 27, 2003, at age 78 at the Motion Picture & Television Country House and Hospital, in Woodland Hills, California. His remains were cremated. His belongings were auctioned off and all proceeds were given to charity.

In 1998, he received a Golden Palm Star on the Palm Springs, California, Walk of Stars.

He had guest roles in Murder, She Wrote, Tales from the Crypt, The Building, The Nanny and Frasier, and was in the films Bandit: Bandit's Silver Angel (1994), and Father Frost (1996).

In 1992 he said, "I never wanted to be a superstar. I'm working on being a quasar, because stars wear out. Quasars go on forever... I look for the parts where I die and they talk about me for the rest of the movie."

He developed heart trouble and underwent successful quadruple-bypass surgery in 1990.

O'Connor continued to make film and television appearances into the 1990s, including the Robin Williams film Toys (1992) as the president of a toy-making company. He continued to perform live.

He bought a theatre, the Donald O'Connor Theatre, and would perform in it with his children. In a 1989 interview he said "There's an element out there that wants to be entertained-and they can't find this kind of thing I do. And yeah, I think I wear well. I sing, I dance, I do comedy. I'm not threatening. When you grow up in a circus family, the more things you learn, the more you get paid. So I can do straight comedy without the song and dance; I can do all kinds of combinations. Whatever's in at the time, I can fit into."

"I've been on the road forever," he said in 1985, adding "I'd consider another movie or a TV series, but I won't play an old man. Art Carney is about my age and he's making a career out of being old. I'm still singing and dancing. I'm not ready to be old."

He was Cap'n Andy in a short-lived Broadway revival of Show Boat (1983) and continued to tour in various shows and acts.

O'Connor guest starred on The Littlest Hobo, Fantasy Island, Simon & Simon, Hotel, Alice in Wonderland, The Love Boat, and Highway to Heaven, and was in the films Pandemonium (1982), A Mouse, a Mystery and Me (1988), and A Time to Remember (1988).

He appeared as a gaslight-era entertainer in the 1981 film Ragtime, notable for similar encore performances by James Cagney and Pat O'Brien. It was his first feature film role in 16 years.

O'Connor appeared in the short-lived Bring Back Birdie on Broadway in 1981. The following year he was in I Ought to Be in Pictures in Los Angeles.

O'Connor claimed to have overcome his depression after being hospitalized for three months after collapsing in 1978. He wrote letters to his friends and family explaining that his life had "completely changed." The dancer was paralyzed from the waist down but recovered by way of physical therapy. The letters detail the lives of other patients, particularly a 30 year old man who was completely immobilized.

He began to use nitroglycerin pills before performances so that he would have the stamina to complete them. He then suffered a heart attack in 1971, leading him to quit taking the medication.

He was in a TV production of Li'l Abner (1971) and continued to perform on stage, notably in Las Vegas.

In 1968, O'Connor hosted a syndicated talk show also called The Donald O'Connor Show. The program was cancelled due to the dancer becoming "too political." The jokes were often seen as offensive. O'Connor was reprimanded by the studio.

He subsequently focused on theatre work and his nightclub act, performing in Las Vegas. He returned to Universal for the first time in ten years to make the Sandra Dee comedy That Funny Feeling (1965).

O'Connor teamed with Glenn Ford in Cry for Happy (1961) at Columbia and he played the title role in The Wonders of Aladdin (1961) for MGM.

When O'Connor was only two years old, he and his sister Arlene, who was seven at the time, were in a car crash outside a theater in Hartford, Connecticut; O'Connor survived, but his sister did not. A few weeks later, his father died of a heart attack while dancing on stage in Brockton, Massachusetts. His brother Billy died a decade later from Scarlet Fever and his eldest sibling Jack died from alcoholism in 1959. His three other siblings died during childbirth. O'Connor said it "marred my childhood and it's still haunting."

He hosted a color television special on NBC in 1957, one of the earliest color programs to be preserved on a color kinescope; an excerpt of the telecast was included in NBC's 50th anniversary special in 1976.

O'Connor and Crosby united on Anything Goes (1956) at Paramount. That studio also released The Buster Keaton Story (1957), in which O'Connor had the title role.

The Brussels Symphony Orchestra recorded some of his work, and in 1956 he conducted the Los Angeles Philharmonic in a performance of his first symphony, Reflections d'Un Comique.

O'Connor was reluctant to keep making Francis films but agreed to Francis in the Navy (1955). Arthur Lubin who directed the films later recalled that O'Connor "got very difficult" to work with after a while. "He'd sit in his dressing room and stare into space, and I think he had problems at home."

He did Francis Joins the WACS (1954) then played Tim Donahue in the 20th Century Fox all-star musical There's No Business Like Show Business (1954), which featured Irving Berlin's music and also starred with Ethel Merman, Marilyn Monroe (O'Connor's on screen love interest), Dan Dailey, Mitzi Gaynor and Johnnie Ray.

He was meant to play Bing Crosby's partner in White Christmas (1954). O'Connor was unavailable because he contracted an illness transmitted by the mule,and was replaced in the film by Danny Kaye.

He starred in The Donald O'Connor Show (1954–55) for one season. O'Connor was a regular host of NBC's Colgate Comedy Hour.

He supported Ethel Merman in Call Me Madam (1953) at 20th Century Fox, later saying the film contained his best dancing.

After Francis Covers the Big Town (1953), Universal put O'Connor in a musical in colour, Walking My Baby Back Home (1953) with Janet Leigh.

His best-known works came in the film Singin' in the Rain (1952), for which O'Connor was awarded a Golden Globe. He also won a Primetime Emmy Award from four nominations and received two stars on the Hollywood Walk of Fame throughout his career.

O'Connor received an offer to play Cosmo the piano player in Singin' in the Rain (1952) at Metro-Goldwyn-Mayer. This earned him a Golden Globe Award for Best Performance by an Actor in a Comedy or Musical. The film featured his widely known rendition of "Make 'Em Laugh," which he choreographed with help from the assistant dance directors and his brother.

In 1952 O'Connor signed a three-picture deal with Paramount.

He went back to Universal for Francis Goes to West Point (1952) then returned to MGM for I Love Melvin (1953) a musical with Debbie Reynolds.

He began appearing regularly on television. One review in 1952 called him "1952' new star. Movie bred, he has the versatility of a Jimmy Durante and the effervescence of youth. He can dance, he can sing, he can act, and he can spout humour, but not yet with the finesse of a veteran."

He did Francis Goes to the Races (1951), another big hit. In February 1951 he signed a new contract with Universal for one film a year for four years, enabling him to work outside the studio.

O'Connor followed the first Francis with comedies: Curtain Call at Cactus Creek (1950), The Milkman (1950), and Double Crossbones (1951).

In 1949, O'Connor played the lead role in Francis, the story of a soldier befriended by a talking mule. Directed by Arthur Lubin, the film was a huge success. As a consequence, his musical career was constantly interrupted by production of one Francis film per year until 1955. O'Connor later said the films "were fun to make. Actually, they were quite challenging. I had to play straight in order to convince the audience that the mule could talk."

O'Connor was married twice and had four children. His first marriage was in 1947 to Gwendolyn Carter, when he was 21 and she was 20. They married in Tijuana. Together they adopted four children: Donna, Alicia, Frederick, and Kevin. The couple divorced in 1955. During the turbulent nine year marriage, there was physical abuse toward O'Connor brought on by Carter and her frustration over the lack of an acting career. Carter was given ownership of their home and won full custody of their children. According to reports at the time the couple split, O'Connor was left with only the dog and sought the help of multiple psychiatrists.

Universal did not know what to do with their teen star turned young adult for one year. O'Connor was almost broke. A merger in 1946 had reorganized the studio as Universal-International. The studio paired O'Connor opposite their biggest female star, Deanna Durbin, in Something in the Wind (1947).

During World War II, on his 18th birthday in August 1943, O'Connor was drafted into the United States Army. Before he reported for induction on February 6, 1944, Universal already had four O'Connor films completed. They rushed production to complete four more by that date, all with Ryan: This Is the Life (1944), with Foster; The Merry Monahans (1944), with Blyth and Jack Oakie; Bowery to Broadway (1945), another all-star effort where O'Connor had a cameo; and Patrick the Great (1945).

O'Connor, Jean and Ryan were in Mister Big (1943). Before this film was released, O'Connor's popularity soared. Universal added $50,000 in musical numbers to the film and promoted the "B" movie to "A" status.

O'Connor and Ryan were in Top Man (1943), with Susanna Foster, and Chip Off the Old Block (1944), with Ann Blyth. O'Connor and Ryan both had cameos in Universal's all-star Follow the Boys (1944).

He, Ryan and the Andrews Sisters were in Private Buckaroo (1942) and Give Out, Sisters (1942), then he, Ryan, Jean and Jane Frazee were in Get Hep to Love (1942) and When Johnny Comes Marching Home (1942). He made It Comes Up Love (1942) with Jean but without Ryan.

In 1941, O'Connor signed with Universal Pictures for $200 a week, where he began with What's Cookin'? (1942), a B-level with The Andrews Sisters, Gloria Jean and Peggy Ryan. The film was popular and Universal began to develop O'Connor and Ryan as their version of Mickey Rooney and Judy Garland.

O'Connor was billed fourth in Million Dollar Legs (1939) with Betty Grable. He played Gary Cooper as a young boy in Beau Geste (1939), directed by Wellman.

Night Work (1939) was a sequel to Boy Trouble and O'Connor was in Death of a Champion (1939).

He went to Warner Bros to play Eddie Albert as a young boy in On Your Toes (1939). He then returned to his family act in vaudeville for two years.

O'Connor signed a contract at Paramount. He appeared in Men with Wings (1938), directed by William Wellman, as Fred MacMurray's character as a boy. He was billed fifth in Sing You Sinners (1938) playing Bing Crosby's younger brother.

He was in Sons of the Legion (1938), then had the lead in a B-picture, Tom Sawyer, Detective (1938), playing Huckleberry Finn opposite Billy Cook's Tom Sawyer. O'Connor third billed in both Boy Trouble (1939) and Unmarried (1939), playing John Hartley as a young boy in the latter.

O'Connor began performing in movies in 1937, making his debut aged 11 in Melody for Two appearing with his family act. He was also in Columbia's It Can't Last Forever (1937).

Donald David Dixon Ronald O'Connor (August 28, 1925 – September 27, 2003) was an American actor, dancer, and singer. He came to fame in a series of films in which he co-starred alternately with Gloria Jean, Peggy Ryan, and Francis the Talking Mule.

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